The second part in a trilogy is usually inferior in quality to the first and last. Think about it – all the characters are already introduced and well on their way. The plot and background have been established, all the pieces are set in motion, the conflict is clear as day. And yet, nothing of import can be resolved, no major plot twists may happen, both the heroes and the villains are mostly safe from harm, no important story line can really be tied up. After all, there needs to be a grand finale, the boss fight and a surprising twist in the third part. And so they fill Part II with chase sequences, fight scenes, meandering dialogue and pretty pictures. As will we. Read more